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Acting Coach

Getting Unstuck!

Headshot of NYC Actress: Caitlin Diana Doyle. Caitlin smiles at the camera in a light denim shirt.

Recently Caitlyn, an accomplished actor, came in for one of her private AT sessions. We’d been focusing on her monologue work and she brought up a particular pattern she’s been working through, and a particular goal, which she termed “not performing my insecurities.” This is a common theme in the work that I do with my clients, and inspired by Caitlyn I’ve been exploring this question in my classes as of late. What does it mean to “not perform one’s insecurities” in practice? And how can we avoid rehearsing our insecurities or tendencies?

Way back when F. M. Alexander started his self-observations, he was grappling with a strong tendency to interfere with his breath and voice when acting. Based on his own description, he was caught in a pattern that today we might call “getting stuck in one’s head”. Perfectionism and similar tendencies can lead us to defensive, self-protective behavior. When we use defensive actions, like freezing up or pushing through, we are rehearsing our insecurities.

Finding your way toward creative freedom and resiliency is one of the journeys of acting that we strengthen via the Alexander Technique. We open our acting choices, explore working with them, and curiosity + discovery is returned to the actor’s experience; the pleasure and passion felt for acting is refreshed.

What is a pattern you feel stuck in as an actor?

How often does what you understand about your tendencies align with the feedback you are getting in class or in rehearsal?

I’d like to hear from you about what skills you practice for freeing yourself from defensive patterns, where you feel successful, and where you’d like my help.

Headshot of Belinda Mello, Alexander Technique Teacher and Acting Coach. Belinda wears a magenta pink button down and smiles to the camera.

In my upcoming Tuesday special topics classes, we will be hearing from each actor and addressing the interference of their patterns in specific aspects of acting and auditioning. Those who are new to the Alexander work can continue with the basics (level 2) on Thursday evenings. On Fridays at noon, we will take time to check in on ourselves through movement and breathing.


I look forward to seeing you in the studio!



Belinda Mello is a member of the Alexander Technique Liberation Project and ATI, International
Inclusivity Statement
All welcome, those seeking greater embodied freedom. This includes all races, colors, religions, sexes, gender identities or expressions, sexual orientations, national origins, genetics, body types, abilities (visible and invisible), ages, immigrant statuses and economic statuses.
I am/ we are committed to the work: the ongoing process of being called in, uncovering layers, deepening understanding, and enacting positive change. We commit to promoting equity and reducing and repairing harm when it happens.

We acknowledge, denounce and reject all racist and sexist ideas, both expressed and implied, in F.M. Alexander’s writings (1869-1955). While the past cannot be changed, we can inhabit the present application of Alexander’s discoveries with openness, humility, and conscious awareness.