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Belinda Mello is a certified teacher
of the Alexander Technique whose practice includes working with performing
and creative artists as well as people who are in pain in their everyday
lives or have physically demanding jobs. She currently teaches individuals
and small groups at offices in Manhattan and Park Slope. In her private
practice she applies the Alexander Technique a wide variety of issues
including RSI, TMJ, scoliosis, chronic neck, shoulder and hip pain as
well as back strain resulting from the challenging process of change in
pregnancy and childbirth.
Belinda currently teaches movement for actors in the CUNY/Brooklyn College
Theatre Department She has been a guest lecturer and workshop leader at
other conservatory programs including the New Actors Workshop, New York
University’s Undergraduate Theater Department, Musical Theater Workshop
and for theater companies including the Jean Cocteau Repertory and Aching
Dogs Rep. In 1995-97 she co-founded the Alexander Project for the Performing
Arts with vocal coach Leann Overton as a vehicle for teaching the Alexander
Technique to opera singers and classical voice students.
Belinda is a member & former regional coordinator of Alexander Technique
International and has been certified to teach since 1989. She has led
workshops and group classes at many locations including the New York Open
Center, Soho Center for the Alexander Technique, LIU Physical Rehabilitation
Center as well as the Spoke the Hub Re-Creation Center. She has given
workshops specifically for Licensed Massage Therapists at the Swedish
Institute of Massage Therapy and for the American Association of Massage
Therapists. Belinda has over 15 years experience as a peer counselor and
support group leader. She has trained with the Childbirth Education Association
of Metropolitan New York and has volunteered as a birth assistant at the
New York Foundling Hospital.
Belinda Mello draws on her background in theater, dance and movement analysis.
She began her training as an actor at Boston University and at RADA in
London. Belinda has worked with directors and playwrights Anne Bogart,
Tony Kushner and Wendy Woodson. She has performed at St. Mark’s
Church/Danspace, The Yard, in the Local Produce Festival and danced with
Eva Dean. Her dance and movement education includes modern dance technique
at the Cunningham and Hawkins studios as well as Contact Improvisation
and Ideokinesis. She has studied Body Mind Centering with Bonnie Bainbridge
Cohen and was taught Laban’s effort/shape analysis as an undergraduate
at Hampshire College where she co-authored a study on human posture. She
continues to pursue her interest in movement training through Pilates
and Yoga. Recently, Belinda has studied mask and Chekhov technique with
Per Brahe and is developing her knowledge of voice in workshops with Ted
Dimon and Rob Macdonald. |